Hulk: Future Imperfect – A Comic Classic Review

What’s the greatest threat for the Hulk, the strongest one of all? Or even for Bruce Banner, the smartest one of all? I mean, he’d likely survive a nuclear apocalypse, and be left behind with the cockroaches and whoever might have hidden out…

Hulk Future Imperfect 2There’s a story in the comics where just such a turn of events happens. As the strongest survivor of World War 3, the Hulk by right of conquest becomes the Maestro. And so we find the Hulk’s greatest threat – his own cruel future self.

The Maestro is the creation of Peter David, one of the best known writers of The Incredible Hulk series (and my personal favorite author). In a two-part comic called Future Imperfect, the Hulk is recruited to head to the future and defeat the Maestro. As the only one who possibly could.

They duke it out physically, where the 100-years-older Maestro is nonetheless stronger, having absorbed so much radiation. Of course, it’s still a pretty good fight…

Puny Banner

The Maestro is stronger, and he wins the fight, taking Hulk prisoner. At that point, the battle turns internal. The Maestro wins the mental battle as well – as they fight over whether the death of the Hulk would alter the timeline. The Hulk doesn’t give in to try this desperate play.

Time Travel Theorizing

The other battleground is internal, as the Maestro knows the Hulk and what he might want. He also has the arguments and simple proof that the Hulk eventually gave in – and became the Maestro. So the third battleground is temptation. The idea that the Hulk could join the Maestro, and that together they could rule, and as the strongest ones, take whatever they wanted.

Strongest One of All

The future that was painted was interesting. It reminded me a lot of The Incal and I was surprised to see it wasn’t Moebius doing the art. It’s a full-on dystopia (literally called Dystopia), with a lot of new slang and a lot of horrible things. The Maestro, in particular, is ridiculously chauvinistic and most of the women in the society might come to be his possession. It’s good of the Hulk to come around and beat him…

Dystopia

It also has one of those great sorts of future scenes that often show up in visions of Marvel’s future: a room full of the paraphernalia of dead heroes and villains.

The Hall of Dead Heroes

Future Imperfect is a fascinating little comic, so if you’re looking for something to read that will make you really root for the hero to overcome the villain, check out this classic!

All images from Incredible Hulk: Future Imperfect, copyright Marvel, and captured from the Marvel App.

Doctor Who Series Five Review: Vincent and the Doctor

by William Hohmeister

The Doctor (Matt Smith) and Amy (Karen Gillan) meet Vincent Van Gogh (Tony Curran) in Vincent and the Doctor. There’s a tradition to have one “artist” episode per Doctor, beginning with Nine and Rose running into Charles Dickens in The Unquiet Dead, and again when Ten and Martha helped William Shakespeare fight witches in The Shakespeare Code.

I love the artist episodes. Vincent and the Doctor is second only to The Eleventh Hour as my favorite episode of series 5 Doctor Who. It begins with a transition from Vincent Van Gogh painting Wheatfield with Crows to the finished painting hanging in the Musee d’Orsay. Dr. Black (Bill Nighy) lectures a tour group about the artist and the paintings, drawing a connection between Vincent’s madness and his work right away.

Wheatfield with Crows -- oil on canvas 101x50 ...

Wheatfield with Crows — oil on canvas 101×50 cm Auvers june 1890 (Photo credit: Wikipedia)

Amy says the Doctor is behaving too nicely and the Doctor overreacts, which makes Amy suspicious; she says she was joking, and asks why the Doctor isn’t. The Doctor still feels guilty over Rory Williams’ death in Cold Blood. I think he’d be more comfortable if Amy blamed him, but she doesn’t remember Rory at all; he was eaten by one of the Cracks in reality.

The Doctor spies a strange creature painted into The Church at Auvers. He says, “I know evil when I see it, and I see it in that window.” I can only remember a few times the Doctor declared something to be “evil”, and never without speaking to it first. I’m not sure if this is part of Eleven’s reckless personality, or a chance to distract himself from his guilt over Rory. Either way, it has repercussions for the Doctor, and leads to a defining moment at the end of the episode.

Amy and the Doctor travel to 1890. They find Vincent at a café from his paintings, begging for booze. He and the Doctor squabble, but Amy buys wine to share. She and Vincent flirt, which is weird because syphilis – a point Vincent himself brings up when he hears the name “the Doctor.” The Doctor tries to get Vincent talking, but a scream interrupts them. A dead woman in an alley is the first “look” we have of the creature from the painting. The Doctor invites himself and Amy to Vincent’s home.

Vincent describes how he hears colors to the Doctor. The Doctor realizes Amy has left the house and we hear her scream. Vincent seems to attack the Doctor with a pitchfork, but Vincent turns out be attacking an invisible creature which only he can see. Vincent sketches it over a completed painting (cringe) and the Doctor leaves for the Tardis. Amy stays with Vincent, but wakes up early to buy him sunflowers as a thank-you.

The Doctor gets a species-identifier – a papoose with a car mirror on the side – from the Tardis and shows it Vincent’s sketch. The creature shows up in the mirror, which identifies it as a Krafayis just before it attacks. The Doctor escapes and finds Amy as she returns to Vincent. Vincent delivers some great lines back at his house; like Dickens and Shakespeare, Vincent steals the episode.

The Church at Auvers-sur-Oise

The Doctor convinces Vincent to paint the church so the Krafayis will show up. Vincent agrees, but a remark by the Doctor about leaving afterward sends him crying to his bed. When the Doctor finds him Vincent screams at him to leave. The Doctor prepares to go to the church anyway, but Vincent reappears wearing the best hat/coat combo ever.

The trio confront the Krafayis at the church and discover, as it rambles aimlessly, that it is blind. Vincent is forced to kill it, however, as the Doctor’s plan to subdue it fails. Vincent eulogizes the creature, claiming it was scared and lashed out, like the villagers that attack him. The Doctor states that “Sometimes winning… winning is no fun at all.”

I think this sums up the Doctor’s character by contrasting his reaction with Vincent’s. Only Vincent shows real sympathy and understanding of the Krafayis, which while a brutal and murderous species, was abandoned on an alien planet, scared and confused. The Doctor seems annoyed that his grand victory – over what he imagined at the beginning to be “evil” – has been stolen from him.

Winning is no fun at all for him this time, because winning was all he cared about. With the comment from River and Amy about how the Doctor “keeps score,” I think Eleven views his travels as a competition. The Doctor loses something in this episode, even if it is only the victory he longs for.

There are two negatives to this episode: the dialogue from Amy and the Doctor (see above: “I’m sorry you’re so sad”) is bad, and the song at the end, “Chances” by Athlete. Call me old-fashioned, but if you need a moody song to set some heavy stuff to, you use “How to save a life” by The Fray.

We also get some hints that Amy does remember Rory, when she tells Vincent that she’s “sorry you’re so sad” and Vincent responds that he sees the same sadness in her. Amy starts crying without realizing it; at the end of the next episode, The Lodger, she finds her engagement ring, which the Doctor had hidden. This leads into the two-part season finale, and my next review, The Pandorica Opens and The Big Bang.

 

The Last Great Time War

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by William Hohmeister

Doctor Who is a science-fiction adventure story. The Doctor travels through time and space with a Companion. The Doctor is a Time Lord, who are extinct at the beginning of the new series. The Companion is always human, usually female, and acts as the audience’s gateway to enjoying the adventures of the bizarre and inhuman Doctor. The Doctor is a mythic figure to both the audience and the in-series universe. Few subjects, either in-universe or in the real world, contribute to the myth of “the Doctor” like The Last Great Time War.

The Doctor divulges little about his past, but hints at a dark time he is trying to leave behind him. He calls it the “Time War.” The Time War was between the Time Lords  and the Daleks (omnicidal maniacs), both incredibly powerful and capable of time-travel. The war spiralled out of control, and the Time Lords decided to save themselves by transcending the universe and destroying it. The Doctor obtained a great destructive force called the “Moment” and used it to end the war. He killed everyone and time-locked the war. For a more in-depth rundown, read here.

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