Penny Dreadful: And They Were Enemies Review (S2 E10)

All apologies for our lateness with my review of this week’s season 2 finale of Penny Dreadful. I have had a bit of a busier weekend and start to the than intended because of some family and work circumstances, but I’m back now. And my, oh my, what a note did the show go out on this season. In the finale, we saw the finale battle with the nightcomers and a disbanding of the fellowship that brings lots of questions about season 3. (Warning: Spoilers below here!)

When last we saw our group, they’d invaded the witches’ home and split up in search of Vanessa and Sir Malcolm; that turns out to be a prophetic sort of ending, mirroring the characters’ eventual separation.

But first: Sembene is well and truly dead. I’d supposed as much but hoped for better. And Vanessa is walking farther and farther down a dark path. And naturally the battle with Evelyn really comes down to Vanessa facing herself—looking into the life-like eyes of that fetish doll and seeing herself reflected back.

Or really, what Vanessa sees is an illusion, a vision of what she most desperately wants: two adorable, mischievous children and a loving husband, one Ethan Chandler, who dote on her. It seems as though Vanessa might give in to this promise—but no. She doesn’t want “normal” anymore.

And something in her snaps. She chants the Verbis Diablo, and when she touches
the puppet, it shatters, sending scorpions crawling everywhere. “Beloved, know your master,” she says.

Things escalate quickly. Evelyn begins rapidly aging, and it sends her into a panic. Hecate, who has been watching from a safe distance, releases Ethan from the room he and Sembene were trapped in. Ethan runs in, quickly slashing Evelyn’s throat. So long, Mistress Kali. But he seems almost to recognize Vanessa. The monster in him recognizes the monster in her, perhaps. She’s about to touch his face, but he runs away. A scorpion crawls into her palm to rest there instead, and she somehow absorbs it.

Evelyn’s death releases Victor and Malcolm, who were thisclose to committing suicide, from their enchantments. Lyle is able to kill one of the witches with his gun. Another is killed in the scuffle. Only Hecate is left, and she seems to have disappeared entirely.

Back at the mansion, the group begins to deal with their losses. Sir Malcolm declares that he is going to return Sembene’s body to Africa. Vanessa declares her love for Ethan—but he’s too caught up in what he is, too stuck in guilt. He writers her a letter saying as much and goes to turn himself into Rusk. Only, surprise!, there’s an extradition order. Ethan is going home.

The Creature, though is still locked in the Putney’s soon-to-be freak show. They offer him certain privileges for his cooperation, such as a cut of wages to buy more books and perhaps eventually some time out of the cell if he behaves properly and plays as a “father” to the freak show they are trying to build.

But the Creature has other plans. He is, in fact, strong enough to rip through those bars, and after he does so he kills both Mr. Putney and his wife. When Lavinia comes looking for them, she is still spouting horrible things. But the Creature leaves her to discover her parents’ bodies. He exits the building, and moments later we hear Lavinia’s screams echo down the street.

She goes to the cholera dens, where she finds the Creature. The two discuss their mutual sorrows. The Creature reveals that he is leaving, and there’s a beautiful moment where we almost get a season 3 of the two living in the Cut-Wife’s Cottage. One can dream. Ah well. Tehy bid one another goodbye.

We see Sir Malcolm on a ship with Sembene’s coffin next to him; and we see Ethan on a ship, locked in a cage. Rusk stands close-by. The Creature is on a ship, too, and we see it arriving in somewhere incredibly icy. The Creature is leaving civilization.

And then there’s Vanessa. Now at home, she’s turning off all the lights in the mansion, and perhaps the most symbolic is the first–the room where we’ve seen our characters group so many times before as they’ve had discussions and shared confidences.

As Vanessa shuts her bedroom door behind her, the camera pans in her point-of-view and lands right on the cross that’s hung on her wall. We’ve seen her kneel and pray so many times right in front of that cross. She walks up to it, lifts it, and throws it into the fire.

Victor, meanwhile, has returned to an empty home. He decides to confront Lily and Dorian, and to that end, he packs a pistol in his belt. Lily and Dorian are in the portrait room, dancing. They’re both immaculately dressed in white. Victor confesses his love for Lily, asking her to come back home. When she refuses, he shoots her.

That doesn’t work, of course. Lily is too well made for that. She reveals to Frankenstein that she’s always know what she is. This time, Frankenstein aims for and shoots Dorian, and he is terrifically confused when Dorian only laughs. While Dorian and Lily debate what to do with him Frankenstein looks more and more horrified.

In the end, Victor is sent home. He contemplates his day as he rolls up a sleeve to reveal an arm that looks terribly painful, revealing the extent of his drug habit as he has to use a vein in his finger. Lily and Dorian, meanwhile, are dancing through the room, a trail of blood in their wake. Oh, my.

And that’s all for season 2, folks. There will be a season 3 of the show, and you can catch me here blogging it when it happens! 🙂

Penny Dreadful: Above the Vaulted Sky Review (S2 E5)

“Above the Vaulted Sky” marks the halfway point for Penny Dreadful Season 2, and the show is already preparing us for the coming battle with the witches. In some ways, it has been building that tension since Madame Kali’s first appearance last season. But we’re getting ready for a full-scale battle between Vanessa Ives & Company and Evelyn Poole & Coven. (Spoilers below!)

                   (image via tv.com)

And we’re back in that creepy puppet room. There’s a doll of Vanessa, but there’s also another doll, a likeness of Sir Malcolm’s wife, Gladys. Hecate brings in the lock of hair she stole from Vanessa and begins to work on the Vanessa-doll. Evelyn, meanwhile, is tearing open the Gladys-doll’s head to reveal brains. (What on earth? How am I even watching this right now?!) She sticks a poker into the brain, and miles away, Gladys awakens, screaming. Oh dear.

In the Murray mansion, there’s a great scurry to protect the home against assailants. A gigantic mental door shows up and is installed; Ethan conducts a sage-burning ritual; Vanessa draws scorpions in blood to seal and protect the house; even Lyle is joining in with what looks to be a Jewish ritual for cleansing and protection. Ah yes, and “a shitload of weapons.”

Vanessa ends up in Ethan’s room, unsure whether the witches she’s seeing are really there or in her head. I like the relationship between the two of them as friends—it’s sweet, and good for them both. This is one of those moments when they work well together, Vanessa talking about her fear of the dark and Ethan talking about his relationship with redemption and religion, quite serious but a wee lighthearted, too.

There’s trouble for Ethan, though. Inspector Rusk is beginning to put some things together, like those murders that only started happening after Ethan arrived with the Wild West Show and the Mariner’s Inn Massacre occurring at Ethan’s place of residence. Ethan is appropriately vague in answering the inspector’s questions, but in the shadows of the mansion lurk the survivor of the massacre.

And inside the mansion, Ethan’s identity is also close to being revealed. Lyle is working through the Verbis Diablo. There’s a repeated phrase in various languages–we see “lupus dei,” as Ethan holds it up and translates “hound of god.” Ethan looks troubled.

Vanessa, meanwhile, is having coffee with Victor and Lily. Somehow, she doesn’t recognize her as Brona, but I suppose that she didn’t spend a lot of time with her—and the hair and the accent are so different, and she’s not dying. But I do wonder what will happen if/when Ethan meets Lily. She’s a bit awkward, throwing in stilted phrases like “the weather is challenging, but the excitement is palpable” when Vanessa asks how she likes London, but Vanessa doesn’t care—she’s just happy to see Victor happy.

But Victor brought Lily to life to be the bride of his Creature, and this is creating some (not unforeseen) complications. When the Creature bursts into Victor’s home and demands to see Lily, the two argue about how Victor is handling the situation. The Creature sits with Lily, telling her how happy they used to be. He makes me sad, a bit, even though he’s creepy and pushy. What he dreamed of, the story he told Lily, was that they were walking by some guys who were mean, who called him names because of his appearance, and she took his hand and kissed it. But Lily shies away from him, and he leaves.

He must’ve gone back to the soup kitchen, because that’s where Vanessa finds the Creature. There’s an amusing moment where he’s bemoaning the mess he made of things with Lily and Vanessa tells (ahem–Victor) who she just saw so happy with a woman (ahem–Lilly). There’s some poetry quoting, and then something is said about dancing. The Creature can’t dance. And so Vanessa teaches him–Frankenstein’s Creature is waltzing with a powerful medium in the middle of a soup kitchen.

Dorian and Angelique are out at the opera, meanwhile—and she is recognized by an unhappy former patron. He’s incredibly, unspeakably rude. Dorian takes Angelique’s hand in his, and he kisses it—but Angelique is ready to go. At Dorian’s home, we see Angelique in Dorian’s clothes, we hear her story. Dorian is sympathetic, is kind.

And this is about the time that suddenly almost everyone in the show is having sexy-times. Dorian and Angelique share a tryst in Dorian’s bedroom. A flash of lightning and thunderclap send Lily to Frankenstein’s bed. And Evelyn Poole takes Sir Malcolm to bed. There’s something odd with her ring–she uses it to prick his finger and the back of his neck.

Meanwhile, his wife is dying. She’s been having seizures and terrible headaches. Now, she’s also seeing things. The ghosts of Peter and Mina Murray rise, and she slits her own throat from grief and horror. Those dolls, by the way? They’re called fetishes. Vanessa refers to them as a sort of simulacra, a hollowed out copy. Yeesh.

Geek and Greet! #geekpastiche

Trying a little something here today. Think of it as a blog party. I’ve dubbed it “Geek and Greet” because most of us here are geeks, and we like to meet bloggers. Here’s how it works. You don’t have to be a geek or have a geeky blog to join the fun.

1. Take a post you’ve written. Any post, but must be safe for work. Or a front page link (not both) and share it on the thread.
2. Visit one other person, or if you’re first, one of our contributors’ blogs. Or visit more.
3. I’ll do my best to visit the blogs shared here between now and 6 pm ET on Friday and either leave a comment or share a link for you on Twitter over the weekend.

The Good, the Bad, and the Stats: The #GeekPastiche A to Z Reflection

Last year my reflection focused on basic lessons I learned as a first-timer. It was too long and posted too late, because I barely survived the 2014 Challenge and it took me a month to get back into my normal routine. This year’s reflection is about things we did right here at Sourcerer, things I’ll do differently if I blog A to Z next year, and what A to Z did for our numbers in April.