I’m in for the Beach Party Blogathon!

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I signed up for this thing that’s happening in June. Pick a film with a beach scene in it and write about it between June 8 and 12. Sponsored by Speakeasy and Silver Screenings.

I’ll be blogging about Captain Blood, and I will add the art to the sidebar just as soon as I get done scheduling a month’s worth of Blogging A to Z in April Challenge posts.

Sophie Turner, Elle Fanning, and 2 Female-Centric Mary Shelley Biopics, Oh My!

Mary Shelley by Richard Rothwell, 1840

Mary Shelley by Richard Rothwell, 1840

My nerd-heart is absolutely leaping up and down right now. Mary Shelley has long been a favorite of mine—not least because she penned Frankenstein, one of the most enduring pieces of monster literature and a cornerstone of the Gothic horror genre. She’s also just a fascinating woman. And this year, we’ll get not one, but two Mary Shelley films, one that focuses on the writing and publication of Frankenstein and another on her relationship with husband Percy Bysshe Shelley.

Elle Fanning in Maleficent, 2014

Elle Fanning in Maleficent, 2014

The first of the Shelley films due out this year stars Elle Fanning and will be titled A Storm in the Stars. The biopic is intended to show the relationship between Mary and Percy Bysshe Shelley, including its tempestuous beginning. Haiffa Al Mansour, (Wadja) the first female Saudi Arabian director, will direct a script written by Emma Jensen.

Sophie Turner as Sansa Stark, 2014

Sophie Turner as Sansa Stark, 2014

And just announced is Sophie Turner’s (HBO Game of Thrones, Sansa Stark) involvement in another Mary Shelley project. She has just been cast as writer Mary Shelley in Mary Shelley’s Monster. The film will be directed by Coky Giedroyc; her work includes American Horror Story and Penny Dreadful. (Yes, we’re getting one of our PD directors on this film—horray!) Mary Shelley’s Monster was written by Deborah Baxton. It tackles a Faustian tale of Mary’s monster alter-ego as she writes Frankenstein. Taissa Farmiga (American Horror Story) is set to play Claire alongside Jeremy Irvine (War Horse) as Percy Bysshe Shelley.

Mary Wollstonecraft by John Opie, 1797

Mary Wollstonecraft by John Opie, 1797

Mary Shelley is the daughter of feminist Mary Wollstonecraft, who penned A Vindication of the Rights of Woman, a pivotal early text of the feminist movement. But Mary Shelley didn’t know her mother—she died in 1797, less than 2 weeks after giving birth to Shelley. And the legacy that Wollstonecraft left behind was a complex one–she was both celebrated and condemned for her promiscuity, for her ideas about femininity, and for her genius.  Shelley’s father was William Godwin, a mostly-political writer with anarchist philosophies. Left to care for Shelley and her sister, Fanny Imlay (Wollstonecraft’s daughter from an affair), William began searching for a wife. In the meantime, he took great interest in Mary’s education, and so her early childhood education was well supervised. He remarried in 1801; Mary’s stepmother didn’t seem to like her much: her stepbrother, Charles, and stepsister, Jane (who later changed her name to Claire), were formally educated while Mary was left at home; Mary’s access to her father was limited; and Mary’s mail was often opened by the new Mrs. Godwin.

William Godwin by James Northcote, 1804

William Godwin by James Northcote, 1804

Despite her lack of formal education, Mary Shelley listened to such thinkers and writers as Charles Lamb, Samuel Taylor Coleridge, and William Wordsworth, friends of her father’s, when they visited her home. They were often interested in her, the product of two such forward intellectuals. She also had access to her father’s rather extensive library. Mary grew up reading, and early on she turned to writing, too. At the age of 10, she had a children’s story published by her father’s company, a children’s book company that was the family’s livelihood when Godwin’s books didn’t sell well.

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Percy Bysshe Shelley by Alfred Clint (1819)

In 1812, Mary met Percy Bysshe Shelley and his then-wife, Harriet Westbrook Shelley. Over the course of many evenings dining with the Godwins and talking with Mary, Percy and Mary fell in love. It was only after his attempted suicide in 1814 that Mary was truly convinced of this, though, and she and Claire fled with him to France shortly after. In 1816, Claire had an affair with George Gordon, Lord Byron, and it was during a visit to his home that Mary Shelley came up with the inklings of what would become Frankenstein. One evening, the group was driven inside by rain, and they began reading ghost stories. That night, as a sort of game, they were all supposed to write their own horror tale. Mary’s was to be the beginning of her novel. She was 19. And the world was never to be quite the same.

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A Mississippi Love Story now available on demand

Last week I wrote about the premiere of  A Mississippi Love Story, a new short documentary about the lives of Eddie Outlaw and Justin McPherson Outlaw in Jackson, Mississippi, during the months surrounding the U.S. Supreme Court rulings in the DOMA and Prop 8 cases. It’s now available at Vimeo for on-demand rental and for sale. I received the notice on Friday, but saved it until this morning because I want as many people as possible to see this.

Mississippi-based film producer Robbie Fisher and Fisher Productions, LLC announced the release last week. The film introduces the viewer to Eddie and Justin, together living what might otherwise be considered an ordinary life during an extraordinary time in history. It provides a glimpse into the relationships the two have with one another, and with family, friends and their Deep South hometown. Against the backdrop of legal battles about same-sex marriage, Eddie and Justin share their personal take on what love really means.

“It was important to us, as Mississippians, to tell the story of this loving and devoted couple who are productive business people and well-liked members of the community, and who want their legal union to be recognized in their home state,” said Fisher.

The 13-minute film is available for a $1 rental fee or for purchase for $2.50. Cinematographer Lauren Cioffi spent months, beginning in March 2013, documenting the day-to-day lives of Eddie Outlaw and his partner Justin McPherson Outlaw. A second unit team captured footage in Washington, D.C. as the U.S. Supreme Court heard oral arguments on California’s Proposition 8 and on the Defense of Marriage Act.

Editor Azod Abedikichi employed an upbeat and whimsical style, which included animating original illustrations by Joy Abedikichi, to capture the essence and spirit of the subjects. Composer Chris Gibbons’ simple and beautiful Red Tango reflects the energetic and optimistic disposition of Eddie and Justin.

I have contact info if you’d like to get in touch; you can also tweet to @MSlovestoryfilm or @TheEddieOutlaw

Here’s the trailer in case you missed it last week.

A Mississippi Love Story

I can’t tell you how happy I was last Thursday to find this in my Twitter feed. I hope it reaches a wide audience.

Here’s the trailer:

The description: A short documentary that takes a poignant glimpse into the lives, relationships and politics of life-partners Eddie Outlaw and Justin McPherson, at a time when citizens in Mississippi and across the nation were watching and waiting for the U.S. Supreme Court decision in the Defense of Marriage Act case. The time to leave Mississippi has passed for Eddie and Justin. They are committed to staying and making Jackson a thriving place for the gay community to live and, hopefully, in which to marry. @MSlovestoryfilm

If you are close enough to Jackson, MS, and interested enough to drive there and see it for free this weekend, you can find the address of the Mississippi Museum of Art here.

Here are a few more details, which I hope it is ok to share:

Cinematographer Lauren Cioffi spent months, beginning in March 2013, documenting the day-to-day lives of Eddie Outlaw and his partner Justin McPherson Outlaw.

A second unit team captured footage in Washington, D.C. as the U.S. Supreme Court heard oral arguments on California’s Proposition 8 and on the Defense of Marriage Act.  Editor Azod Abedikichi employed an upbeat and whimsical style, which included animating original illustrations by Joy Abedikichi, to capture the essence and spirit of the subjects. Composer Chris Gibbons’ simple and beautiful Red Tango reflects the energetic and optimistic disposition of Eddie and Justin.

Sounds cool, doesn’t it? You don’t want to miss it!

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Film Credits:

Director/ Cinematographer: Lauren Cioffi
Producer: Robbie Fisher
Editor: Azod Abedikichi