The Truman Journey

Truman Burbank (Jim Carrey) is the star of the Truman Show. When Truman is a baby, Christof (Ed Harris) somehow buys him. He is placed in a fictional town, Seahaven, and surrounded with actors. Christof broadcasts every minute of Truman’s life. And Truman has no idea his friends and family are paid actors. So that’s terrifying.

Truman only begins to discover the truth when a lamp, labeled with the name of a star, falls from the artificial sky one day. After that he notices things, like everyone knows his name, he has never left Seahaven, and his wife will act like she’s in an infomercial and try to shill products. When the entire town turns against him, refusing to let him leave, Truman escapes the only way he can: by sailing across Seahaven’s body of water to the edge of the world. There he bumps into the horizon, finds an EXIT door, and escapes into the real world. It’s like Under the Dome, if Stephen King wasn’t a horror writer.

Life celebrated a baby sold by its parent to television executives.

A couple things about this movie jump out at me.The audience has to be most of the planet, because the show’s overhead must be huge; Christof enclosed the entire town in an arcology dome, and has a weather control device (something most supervillains have to put on lay-a-way). The governments of the world must not exist, or are so corrupt that “money over everything” is official policy. And the cast, crew, and audience must absolutely believe that Truman has a good life, because it only takes one defector to ruin the show.

At the end of the movie, Christof tries to drown Truman, preferring a magnificent death to Truman’s escape. When Truman survives, Christof claims Truman brings people hope and inspiration. He even asks Truman to stay. Something Truman does provides the world with enough satisfaction to justify all this.

My first thought was nuclear apocalypse, because the world must be some twisted ruin for people to think Truman’s life is acceptable. It would also explain the dome; perhaps Christof has fenced off a healthy area of the planet and is selling dreams of what life used to be to a devastated population.

The audience doesn’t really fit the Mad Max marauder type, though. There are old people, fat security guards, and a nice bar. The world looks okay. But these people still watch Truman, each day, as he toils through life, despite the fact that they apparently have normal lives themselves. Reality television is a form of escapism too; most rely on a gimmick (The Biggest Loser) or the antics of people filmed in just the right way to make them seem terrible (literally any contest-style reality show). All Truman does is live a normal life.

Philip K. Dick wrote Do Androids Dream of Electric Sheep? which became Blade Runner, which became the reason Ridley Scott still has a career. In the story, humans live on a ruined earth. Most of the animals are dead, so people try to raise personal livestock, or if they can’t afford it, “electric” simulacra. The protagonist, Deckard, has an electric sheep, and fears people will find out (it’s a social no-no). He takes a job to hunt down androids capable of nearly perfectly simulating human beings. They lack empathy, however, and a complicated test can reveal them.

It’s left out of the movie, but the book also shows that people are capable of “dialing” their emotions. Deckard avoids a fight with his wife by choosing a more pleasant mood. He also regularly logs into a simulation of a tormented figure rolling a stone eternally up a hill. Living with near-human androids has degraded human perception of reality, so they have to engage in something “real” to maintain their empathy and humanity. But, they are still living a lie, in denial of what humanity actually means.

The Truman Show serves the same purpose. Truman is the suffering saint; his lack of reality, and the life he suffers, makes the pale lives of the audience seem bright and real in comparison. No matter what their day was like, the audience can dial into Truman and adjust their emotions according to his life.

Truman’s world might be very close to ours, but it’s suffered something that makes engaging in life through Truman more acceptable than really living – he’s both sheep and shepherd, cared for by the audience and leading them through what life ought to be. And at the same time, he’s contemptible, because they can watch him poop and he doesn’t know.

I see two arguments about what happens after the ending. Truman abandons Seahaven, sails to freedom after nearly drowning in Christof’s artificial storm, and finds his world is truly false when he bumps into the “sky.” He leaves with his usual greeting: “In case I don’t see ya, good afternoon, good evening, and good night.”

Truman doesn’t curse or even seem to hate Christof. And the audience loves it. The ending is a montage of cheers and people flipping out. He’s provided their comfort for thirty years, and now Truman’s victory is the audience’s victory. As the chosen one, he led them through the hero’s journey to a heroic “ending.”

Truman is an artificially selected chosen one, however, not picked by fate. Christof had to know Truman would grow into a perfectly average (Jim Carrey-ish) adult, with no mental or physical problems, because anything else would have ruined his show. Truman’s revelations about his life, and by extension the audience’s lives, don’t have the same impact as a “real” chosen one. The audience watches him discover them, and they cheer like they’re watching football game.

The chosen one is an excuse for why “ONE MAN” can make a difference. Truman might not even be able to integrate into society, since he’s never actually lived in it, just in the television version. His life has as much to do with reality as Leave it to Beaver has to do with the actual 1950s.

We all wish (as the audience that watches Truman does) that we could be that one special person, chosen by destiny (or Ed Harris — close enough) to… do something. Other than be born, live as our birth and means dictate, then die. We need the chosen one myth, it keeps us from losing our minds in the vast, uncaring cosmos.

Truman shows that a chosen one is the avatar for the pointlessness of the audience’s lives, not a bringer of light and reason. Once he is gone, taking the inspiration and hope the audience relies on, we really only have two options: abandon the myth and try to find or make meaning in life, or, as the security guards say, “See what else is on.”

Throwback Thursday: My Endless Tolkien Series, part 18

Originally published at Part Time Monster as “The Mirkwood Affair Concludes.” This is the most recent installment, so until I write more of these for the Monster, we’ll be doing something else here on Thursdays. I hope you’ve enjoyed  this run!

Part 18 of an ongoing series.

At dusk of the day after the battle with the spiders, Thorin-and-Company-Minus-Thorin are waylaid by the Wood-elves. The dwarves are armed only with small knives. They are so hungry and exhausted they are “glad to be captured” and give up without a fight. Bilbo puts on the Ring quickly enough that the elves don’t notice him and follows them to the royal stronghold. (1)

Map by Deviant Artist silentrageleon

The passage where he makes the decision to enter the stronghold is interesting.

He did not at all like the look of the cavern-mouth and only made up his mind not to desert his friends just in time to scuttle over at the heels of the last elves, before the great gates of the king closed behind him with a clang. (2)

Since we’ve established already that Bilbo recorded these events, the wording here is important. He enters out of loyalty. Sticking by your friends and family is even more a virtue in Middle Earth than it is in the here-and-now. Also a big deal: keeping one’s promises.

I read this passage as a signpost that points us to even more evidence of Bilbo’s innate goodness than we’ve already seen, and there is a passage at the end that works the same way. They’re like bookends – but before we get to the second passage, we need to give at least a little attention to intervening time.

image by Deviant Artist lucasmt

There’s not much putting-on and taking-off of the Ring in this chapter because Bilbo is wearing it continually to avoid being seen by the elves, and the dwarves are held captive for a period of three or more weeks. It’s worth noting that the Ring is not doing all the work. When Bilbo slips in and out the gate behind elven hunting parties he does not “dare to march among them because of his shadow.” So he’s using his wits, and he’s actively hiding the whole time. (3)

The elf-king imprisons the dwarves because they refuse to tell him why they are travelling through the Woodland Realm. They don’t want him to know what they are after the treasure of the Kingdom Under the Mountain. The elves treat them well enough, for prisoners, so they hold out for weeks and eat the elves’ food. (4)

The dwarves are all held in separate parts of the palace, so Bilbo has to learn the layout of the elven stronghold and figure out where Thorin is stashed away. He carries Thorin’s orders not to give away the purpose of their journey unless he gives the word to the other dwarves. Thorin’s motives are clear in the passage where he gives the order:

For Thorin had taken heart again . . . and was determined not to ransom himself with promises to the king of a share in the treasure, until all hope of escaping in any other way had disappeared; until in fact that remarkable Mr. Invisible Baggins (of whom he began to have a very high opinion indeed) had altogether failed to think of something clever. (5)

It’s also worth noting that Thorin is looking to Bilbo for salvation here, just as the other 12 dwarves did after the encounter with the spiders. (6)

Eventually Bilbo finds the water gate the elves use to return their provision barrels to Lake–town. He finds the opportunity to make an escape attempt on a night when most of the elves are feasting in the woods. He catches the butler and the guard chief sampling the king’s wine, which is stronger than they realize and makes them fall asleep. (7)

Bilbo steals the prison keys and releases the dwarves. They all make their way to the cellars and stuff themselves into food barrels. There are two quotes from the escape incident that deserve highlighting, because they tell us both about Bilbo’s relationship with his companions and about his own character. (8)

When Bilbo frees Balin from his cell, the dwarf (as is typical of Balin) bombards Bilbo with questions. Bilbo responds:

“No time now!” said the hobbit. “You must follow me! We must all keep together and not risk getting separated. All of us must escape or none, and this is our last chance . . . Don’t argue, there’s a good fellow!” (9)

This exchange is important because it places Bilbo clearly in charge. Is shows that he not only understands the stakes, but is also capable of taking leadership of the whole group if need be. “All or none” also demonstrates that he is fully invested in the success of group.

Before they go to find the barrels, Bilbo makes a decision that is at least as good as his refusal to attack the unarmed Gollum. He sneaks back into the room where the guard chief is sleeping and slips the keys back onto his belt.

“That will save him some of the trouble he is in for,” said Mr. Baggins to himself. “He wasn’t a bad fellow, and quite decent to the prisoners. It will puzzle them all too. They will think we had very strong magic to pass through all those locked doors and disappear.” (10)

Bilbo Art by Deviant Artist Deviant Artist Duh22

Here we see the two elements of Bilbo’s character that inform his decisions to spare Gollum and to sneak invisibly into the midst of the dwarves before slipping off the Ring after his escape in one delicious passage. He’s showing the jailer mercy, but he’s also taking a bit of delight in some dramatic mischief.

Perhaps this is why he gets away with wearing the Ring continuously for nearly a month (and, ultimately, possessing it for so long) without it drastically affecting his personality. He’s good even to his adversaries when he has a chance to be good to them. And he loves a good practical joke. Could humor and compassion be the antidotes to the lust for power and obsession with forbidden knowledge that do so many of Tolkien’s characters in?

We’ve talked more about Bilbo than the Ring in the last few posts, but I hope you see why I said when I started this arc that understanding Bilbo is the key to understanding the nature of good in Middle Earth.

This series takes the next several weeks off so we can do the A to Z Challenge up right, both here and at Sourcerer. I’ll continue with Bilbo beginning in late May or early June.

Notes (Bibliography)

All page numbers are from The Hobbit

1. p. 167

2. p. 168

3. p. 169

4. p. 168-69

5. pp.171-72

6. p. 163

7. pp. 171-73

8. pp.173-76

9. p. 174

10. p. 175

Related articles

• Tolkien: A History of the Third Age in Bullet Points
• Lord of the Rings: Tempted Mortals

Throwback Thursday: My Endless Tolkien Series, part 17

– Originally published at Part Time Monster as “The Mirkwood Affair, pt. 3.”

Bilbo’s encounter with the giant talking spiders is one of the most important episodes in The Hobbit for a number of reasons. I’ll focus on three of them today, and look at specific passages where Bilbo puts on and removes the Ring as I move through this episode.

• In his encounter with the first spider, Bilbo saves himself without the help of any other character, including the Ring.
• He locates and rescues the captured dwarves. He has the help of the Ring, of course, but it is really his wits and bravery that save the day.
• The battle with the spiders leads to the dwarves discovering that Bilbo has the power to become invisible, and he tells them about the Ring.

Map by Deviant Artist silentrageleon

After being separated from the dwarves in the confusion of the elf-feast, Bilbo sits down and dozes. He wakes to find a huge spider binding him with webs. He manages to pull his sword and kill the spider all by himself. I can’t be sure without carefully parsing the goblin chapters again but I think this is Bilbo’s first kill, and it’s the encounter that prompts him to name his sword Sting. It’s clear that this is a significant moment for Bilbo:

Somehow killing the giant spider, all alone by himself in the dark without the help of the wizard or the dwarves or of anyone else, made a great difference to Mr. Baggins. He felt a different person, and much fiercer and bolder in spite of an empty stomach, as he wiped his sword on the grass and put it back into its sheath. (1)

Bilbo is more confident now than he’s been since he left Hobbiton, and the Ring has nothing to do with it. He’s also in a position to search for the dwarves. He takes a lucky guess about the direction he heard their last screams come from, having first “slipped on his ring.” The role-playing nerd in me is thinking Bilbo just gained a level of experience. (2)

Bilbo Art by Deviant Artist Duh22

He finds the dwarves trussed up in webs. A swarm of giant spiders is having a conversation about how best to kill and eat them. This whole encounter echoes the incident with the trolls – only this time it’s Bilbo instead of Gandalf who comes to the rescue. (3)

Invisible Bilbo kills two spiders with thrown stones, then leads the spiders away from the dwarves just as they are about to kill Bombour. He taunts the spiders with silly rhymes, leads them into the forest, then circles back, surprises and kills the one spider who stayed behind to guard the dwarves, and frees the dwarves from their webs just as the rest of the spiders return. There’s a battle. Aside from their knives, the weary, poisoned dwarves have only sticks and stones. The spiders begin to encircle the whole group with a fence of webs. (4)

Bilbo, having taken off the Ring to free the dwarves, sees that he’s going to have to put it on again to win the battle, and has no way of doing it without the dwarves seeing him disappear. So he warns them:

I am going to disappear, he said. I shall draw the spiders off, if I can; and you must keep together and make in the opposite direction. To the left there, that is more or less the way towards the place where we last saw the elf-fires.

It was difficult for them to understand . . . but at last Bilbo felt he could delay no longer . . . He suddenly slipped on his ring, and to the great astonishment of the dwarves, he vanished. (5)

This is the first time Bilbo uses the Ring as part of a strategy. Up to this point, in every instance that he’s worn it, it’s either slipped onto his finger (seemingly) of its own free will, or he’s used it to hide from danger. In this instance, the invisibility is a sort of armor. And of course, now there must be a conversation about it with the dwarves when all this is over.

He tries to lead the spiders away again, but some of them pursue the dwarves, who are in no condition to run or fight. Bilbo circles back, flanks the pursuing spiders, and goes total badass on them.

He darted backwards and forwards, slashing at spider-threads, hacking at their legs, and stabbing at their fat bodies if they came too near. The spiders swelled with rage, and spluttered and frothed . . . but they had become mortally afraid of Sting and dared not come very near . . . It was a most terrible business, and seemed to take hours. But at last, just when Bilbo felt that he could not lift his hand for a single stroke more, the spiders suddenly gave it up, and followed them no more, but went back disappointed to their colony. (6)

Bilbo changes so much by the end of this story, it’s increasingly easy to forget he’s the same polite, nervous, comfort-loving creature Gandalf approached in An “Unexpected Party.” I locate the most drastic part of the change in this battle. Bilbo’s been lucky (I’d love to know how many times the word “luck” appears in the text – it seems to be on every page) and clever all along. Now he’s found his physical courage and proven he can keep his wits about him in a crisis. The dwarves are fortunate to have him, because they seem to have trouble with that. (7)

image by lucasmt

What I can’t say, really -– because the language of the text doesn’t give me much to go on – is how much the Ring influences Bilbo’s behavior here. Certainly, the invisibility is required to make his plans work. But the Ring seems to be lurking in the background and functioning as a simple magic item. If I did not know the story of The Lord of the Rings, I would probably have forgotten all that slipping on and off Bilbo’s finger from “Riddles in the Dark” by now. (8)

When the spiders flee, the company finds themselves in one of the circles where the elves had been feasting the night before. Bilbo explains the finding of the Ring to them. He’d told them about Gollum just after the escape from the Misty Mountains, but left the Ring out of the story. (I missed this one, and I am sure there are interesting things to say about it.) (9)

The conversation shifts to finding food and figuring out what to do next, and we get this gem.

These questions they asked over and over again, and it was from little Bilbo that they seemed to expect to get answers. From which you see that they had changed their opinion of Mr. Baggins very much, and had begun to have a great respect for him (as Gandalf had said they would). Indeed they really expected him to think of some wonderful plan for helping them, and were not merely grumbling. (10)

The dwarves are suddenly looking to Bilbo for leadership. And this is interesting: if you follow the dwarves through the first half of this novel, they do not change. The trouble with the elves and the spiders is the same sort of trouble they had with the trolls. They are prone to being out-witted and vulnerable to ambush. In the absence of Gandalf, Bilbo is the smartest, most savvy person in the group at this point.

Sadly, Bilbo is too exhausted to think of anything, so they all pass out in the elf-circle. At some point later, Balin pops open an eye and realizes no one has seen Thorin since the confusion with the elves the night before and the narrative shifts to a descriptive passage explaining that he’s been carried off to the dungeon of the Wood-elves. (11)

We’ll leave them for here for now.

Notes (Bibliography)

Throwback Thursday: My Endless Tolkien Series part 15

Orignally published at Part Time Monster as “The Mirkwood Affair, pt. 1”

The two obvious places to start with Bilbo are his first encounter with Gandalf in “The Unexpected Party” and his finding of the Ring in Riddles in the Dark. I am doing neither because if I go back to the beginning of The Hobbit, I’ll still be writing about Bilbo next year; and because I covered the essentials of “Riddles in the Dark” when I discussed Gollum. (1)

The Significance of the Mirkwood Passages

Bilbo Art by Deviant Artist Duh22

I am going straight to Mirkwood for two reasons.

1. As I was reading and thinking about how to approach Bilbo, I got the idea that “Flies and Spiders” is under-discussed, and one of the jobs of a literary scholar is to find passages that haven’t been analyzed to death already and write about those. So I am giving quite a bit of attention to “Flies and Spiders” and the following chapter, “Barrels out of Bond.” (2)

2. The Mirkwood adventures are the point in the story where Bilbo’s transformation becomes so evident as to be undeniable. In “Riddles in the Dark,” Bilbo is not much different than he was when he left Hobbiton.

Bilbo walks into Mirkwood a Hobbit who’s been roped into an adventure by Gandalf and the Dwarves regard him as little more than baggage for most of the early journey. He pops out of his barrel in Laketown out a more confident adventurer and, to Thorin and Company, a respectable professional burglar. It’s impossible to understand Bilbo without understanding these chapters.

The journey through Mirkwood is important for another reason, as well. Southern Mirkwood is the domain of Sauron. I am not sure when he actually completed the Dark Tower of Dol Guldur, but his shadow fell on Greenwood the Great in TA 1050 – nearly 2000 years before the events of the Hobbit take place. During “Flies and Spiders,” the Ring is not that far away from Sauron. (3)

Leaving aside the fact that The Hobbit is the earliest published text, and so a bit of retconning was required to fit it seamlessly into the canon, this is a point in history at which things could have gone very badly for Middle Earth. Sauron is completely unaware that the ring has surfaced despite the fact that Bilbo wears it continually for weeks to evade the wood elves. It’s a good thing this is occupying Sauron’s attention while Thorin and Company are struggling to deal with their spider and elf troubles:

So, these are a doubly-important chapters. Add in the fact that they’re also complex, and they require a bit of setup before we dive into the reading. Here is a brief summary of significant plot points prior to the Mirkwood chapters and a few things to look out for once I start on the texts in the next installment.

There are two significant details from “Riddles in the Dark” to bear in mind. First, in every passage of that chapter where the Ring is slipping onto or off of Bilbo’s finger, the sentence structure and verb choices suggest (at the very least) that the Ring is acting on Bilbo rather than the other way around. Second, Bilbo chooses not to attack Gollum because he is armed and Gollum is not, so it wouldn’t be a fair fight. (4)

There’s also the incident with the Orcs and the Eagles after the company escapes the Misty Mountains and their subsequent encounter with Beorn. These set up an important plotline for later, but they do not tell us much we don’t already know about Bilbo or the Ring, so I’ve skipped them. (5)

Barrel Art by Deviant Artist Kibbitzer

Things to look out for in “Flies and Spiders” and “Barrels of Bond.”

There are several threads to follow here. I’ll list them today and discuss them in the next couple of posts.

• Bilbo’s interactions with the spiders show him to be both clever and capable of being calm in a desperate situation.
• The Dwarves’ interactions with Bilbo clearly indicate by the end of these chapters that they are see him in a new light.
• Bilbo deals well with being left to his own devices once the Dwarves are captured, and finally orchestrates their escape.
• Bilbo’s explanation of the Ring and his power of invisibility to the Dwarves is interesting.
• Tolkien’s depiction of the Wood Elves in The Hobbit a bit different than his depictions of Elves in LOTR. Elven history and culture was not quite settled yet when the final manuscript of the Hobbit was produced, so there is more of Faerie in the Elves of The Hobbit than there is Tolkien’s later work.

I’m at 800 words already, so, not enough room to read any passages today. Do tune in next week!

Bonus Post Idea

Our friends over at Write On! Sisters have been talking about what makes a good heist story recently. I think it would be an interesting and not-very-difficult thing to do to read the Hobbit as a heist caper. I wonder how Thorin and Co. would shake out if you look at them as a heist crew. I won’t say I will never get around to this because I love the idea just that much. But it certainly isn’t happening this year. So feel free to borrow it, and drop us a link if you do.

Notes