Time Runs Out – the Conclusion of Jonathan Hickman’s Avengers (and the Marvel Comics Universe)

It was the spark that started the fire – a legend that grew in the telling.

At the beginning, it was an origin story. The rebuilding of the Avengers. The reconvening of the Illuminati. And with overtones reaching back to the beginning of the Marvel Universe.

The left is from Avengers - the right is from New Avengers. Also on http://comparativegeeks.tumblr.com/

The left is from Avengers – the right is from New Avengers.
Also on http://comparativegeeks.tumblr.com/

At the end, it’s the mirror of that story. The collapse of the Avengers. The Illuminati replaced by the Cabal. The end of the Marvel Universe.

Jonathan Hickman’s run writing Avengers and New Avengers has been a blast. I’ve blogged about it a good deal because it’s one of the main comics I have been following on a regular basis – although I have stepped down to reading it in the trade paperbacks/collected digital volumes. That said, I am here now because these two comics just released their last trade last week – the end of the four-trade, two-title saga called Time Runs Out, which led directly to the current Marvel Secret Wars and which ended the Marvel Comics Universe in a very real way.

Yes, it’s comics, it’ll probably come back. Still, for now, es ist kaput.

So how did we get there? Even if the why of the universe ending was corporate and marketing and business, the mechanism that got us there took about 100 comics. So what happened? Why did time run out?

A Quick Rundown of Hickman’s Avengers and New Avengers

To make this a quick rundown, I am going to be sourcing things out to previous posts I have written. In these posts, I have a number of screencaps from the comics with some further explanation of things so it’s not just me I’m referring to, it’s the comics themselves.

At their heart, these were two parallel and competing stories. In Avengers, as in the image above, it’s a bit of a reboot/reforming of the Avengers team. A fresh start, a new beginning. With an expectation of greater threats: with a need for a bigger team. So an origin story of sorts there. Meanwhile, new “villains” (many of whom end up new Avengers), new problems, and new versions of “old” heroes – like a female Smasher and a new Hyperion. Meanwhile, with the larger backdrop of the villains and the big fight to come (Infinity, which I blogged in three parts), there is a larger narrative and origin story of the whole universe. Callbacks to a narrative of, essentially, the big bang.

In New Avengers, that story becomes one of universal death. Of the opposite of the big bang: a big collapse, with the whole universe collapsing at once. Which they get to see happening, multiple times: the entire multiverse (multiple universes) is collapsing, universe by universe dying. I included Mister Fantastic’s excellent explanation in my original review.

Thus, the dual character of life, and death, between the two stories, which I have found really cool, and which I talked about as one of the great themes in Hickman’s comics in generalContinue reading

Agent Carter Finale Review: Valediction, Season 1 Episode 8

Last week I talked about how the penultimate episode felt like it did not stand alone, that it needed the finale. Well, said finale has come and gone, and maybe I was right and maybe I wasn’t. I actually watched “SNAFU” again with Holly as part of watching the finale, and a couple of pieces I missed (maybe while jotting down notes?) helped bring the episode together, like that they mentioned running a test with the Stark tech – and thus the movie theater madness. So “SNAFU” might stand alone better than I thought, but it is still nice to watch them together!

Because this episode was more than just the conclusion to the previous episode: it was the capstone to the whole series. So it not only concluded recent events, it drew back to early ones, like issues with Peggy’s housing, or like the Captain America radio drama. We know what Leviathan was after, and why. We know why the early henchmen had no voicebox. We have confirmation that it was the hypnotist who lured them to Europe. This episode neatly tied up these sorts of lingering questions, while also finishing out the arc on the different characters. We even find out who robbed Stark! And along with all this, we emotionally close the door on Captain America: The First Avenger and turn to the future: and the future is SHIELD.

Agent_Carter_Official_Logo

Recap

The SSR is still reeling from the tragedy they just experienced, and the death of Chief Dooley. But a new case to investigate of course pops up: a theater full of people who killed each other. They are in and investigating, and Sousa finds the nearly empty canister that it all came out of. I say nearly empty as it sprays him with enough of the gas to have him murderous and trying to kill Thompson. Granted, that shouldn’t take too much, but it happens.

We also find out that the gas sears the throat, so Sousa is lucky he didn’t get too much. But this is why the Leviathan agents were the way they were – it marked them as survivors of this gas. Why would Stark make a weapon like this?

Howard Stark shows up at the SSR to clear that up. They move past their desire to arrest him, and listen. It wasn’t a weapon, but was designed as a stimulant for the soldiers, to keep them going. Well, that didn’t turn out at all, instead leading to murderous rage etc. So a general deployed it at Finau, the mysterious World War II battleground that kept coming up, that Chief Dooley had been investigating, which Howard Stark had visited (where he saw what the gas could do – he wasn’t happy), and where the hypnotist (who now has two names I don’t know how to spell so he’s keeping his title) survived in a gas mask, plotting revenge.

Stark says that this gas is called Midnight Oil, and that they likely have ten more canisters of it – enough to make much of New York go mad. They seem to be there with that in mind, to punish Stark by having him see his creation destroy his home city. So Stark offers himself as bait – because then they can control what their opponents are doing.

I want an American cheeseburger, and a press conference. Wait... Found on http://comicbook.com/2015/02/25/agent-carter-season-finale-valediction-recap-with-spoilers/

I want an American cheeseburger, and a press conference. Wait…
Found on http://comicbook.com/2015/02/25/agent-carter-season-finale-valediction-recap-with-spoilers/

Flash to the hypnotist and Dottie, heading into an airfield. Dottie is out procuring them a plane, via violence, and the hypnotist is in a car listening to the radio – where he hears that Stark will be at a press conference. I love the exchange that followed:

“A new opportunity has arisen.”

“Just since I left the car?”

Couple scenes on, they’ve captured Stark, and taken him to a hangar with one of his hidden planes. It was Dottie who robbed his vault! Which is made better by the fact that he can’t remember her name – which does not amuse Dottie nearly as much as it amuses the audience! The hypnotist then uses a different tactic than he has before. Before, he did positive sorts of hypnotism, to befriend the SSR and get away with things. With Stark, it’s a hypnotism of pain: taking him to his greatest failure.

And his greatest failure is not having found Captain America. The one thing he has done that has caused any good to happen.

So he is easily convinced to go flying out, thinking he is hunting for Cap – though he actually has the deadly payload of the Midnight Oil onboard and he’s headed for a large collection of soldiers. It’s V-E Day.

The team shows up, and send out their only pilot to stop Stark – Jarvis. Meanwhile Peggy fights her way past Dottie to the radio, to try to talk Stark out of it. It’s a close thing – Jarvis almost has to shoot Stark out of the sky. However, Peggy connects with Howard over their shared love for Captain America, the best among them.

But seriously, don't mess with her. Found on http://www.themarysue.com/agent-carter-recap-s1-ep8/

But seriously, don’t mess with her.
Found on http://www.themarysue.com/agent-carter-recap-s1-ep8/

The good guys win, the hypnotist is taken into custody, Dottie escaped. Stark gives Peggy and Angie one of his “smaller” homes to live in. And Jarvis has the best gift – stolen from Howard, who thinks it was lost in the struggles with Leviathan. Captain America’s blood. This Peggy takes out and, in an emotional scene, pours it off of what I am pretty sure is the Brooklyn Bridge.

He was just a boy from Brooklyn.

The Biggest Spoiler

It’s time for a lightning round, and first and foremost, the final scene! The hypnotist is in a Hannibal-Lecter-esque face mask, so he can’t speak. However, his cell mate talks enough for both of them.

Arnim-freaking-Zola. And Hydra begins again.

Final Thoughts on Dottie

I’m happy Dottie lived and escaped, because I have to admit her fight scene with Peggy was not satisfying. It was kind of “yay, Peggy won, of course Peggy won, title character.” Of course, she got kicked out a window, so Peggy did a pretty good job of the fight, but still. We’ll be seeing her again.

I also like that we found something that could get under her skin. After how much work she put into creating her cover identity, after brainwashing and being taken apart and rebuilt into a life as a weapon – Stark didn’t remember her. It was such an insult to her. And he keeps guessing names, and getting them wrong! At the end, he thinks he remembers it, and talks about the “steel trap” of his memory – but I doubt that was it either.

Final Thoughts on Agents Thompson & Sousa

While Peggy is headed off to get to the radio and fighting Dottie, Thompson and Sousa are on their way to face off with the hypnotist. And like last week, Thompson has good advice – don’t let him speak.

And like last week, when Dottie kicked Sousa’s butt, Sousa didn’t listen! The hypnotist got the drop on Thompson, and Sousa comes walking in, gun drawn. And lets him start talking! And hypnotizing! SOUSA WHY DON’T YOU EVER LISTEN! And Sousa turns his gun on Thompson! Oh no! And then… oh wait, nope, down goes the hypnotist. Thompson is confused, as are we… until Sousa pulls out his earplugs. Well played, sir.

The other scene of note with these two is towards the end. A Senator comes in to thank the SSR for a job well done, looking for the agent behind it all – looking for Agent Thompson. Obviously. And Thompson pauses a moment, looks back at Carter and Sousa, and then he takes the credit, walking back to talk further with the Senator in the Chief’s office. Likely his new office.

And Sousa turns to Carter and says he is going to march in there and set the record straight. Not even really just for himself, but for Carter. But Peggy smiles and says that she knows her own value, and it doesn’t matter if no one else does. I would add that the final juxtaposition of the two was in this – as it shows that Sousa does not necessarily know his own value, and is still looking for validation from others.

Found on http://news.yahoo.com/recap-agent-carter-not-valediction-152000960.html where they also said "I can’t recall the last time a serialized drama got some [sic] many things right."

Found on http://news.yahoo.com/recap-agent-carter-not-valediction-152000960.html where they also said “I can’t recall the last time a serialized drama got some [sic] many things right.”

Final Thoughts on Howard Stark

Stark, after all that’s happened, wants to destroy all of his inventions – or at least the dangerous ones from the vault. Still in his future are things we know from the movies, like Stark expos, working with Whiplash’s father on the Arc Reactor, hiding secret messages to his son, and getting killed by Hydra. He has a lot of reasons to be paranoid, and we definitely see the beginnings of this here.

Questions

Did it feel “comic book?”

To the last, I would say the show kept from feeling too comic booky. Sure, there was a crazy evil chemical that drives people crazy that was going to be deployed over a whole city… but that’s really just the comic book version of chemical warfare, so it’s not so far from believable. The hypnotist turned out to be just really good at hypnotism – there had been theories that his ring is magic (or alien), but if so then Sousa’s earplugs shouldn’t have worked. Right? It all ended up pretty human. I would even say that Leviathan seems like it might have been a fairly small organization, mainly centered around the hypnotist and his few remaining folks from the Russian war efforts. But maybe there’s more! Hopefully we get a second season to find out…

Did it feel like you needed to have watched the other movies and shows?

This episode was the emotional conclusion to Captain America: The First Avenger. Well, for everyone but Captain America. In the movie, we get to see Cap’s reaction. He breaks out, heads into Times Square, and it brings him up short. He talks to Nick Fury, and he claims he’s good with ending up 70 years in the future. Except… he had a date.

However, for characters like Howard Stark – who we know hunted for Cap – and for Peggy Carter – said date – we didn’t get to see what their future looked like, their life. The rest of the Marvel Cinematic Universe is happening 70 years later. But this show kept it in the past, kept us with the events that mattered in that time and place, instead of drawing in all the connections for the future continuity. This episode held to that… right up to the end.

Because sure, having Arnim Zola in prison there, waiting, is a follow-up from First Avenger. But it’s also a prequel to Winter Soldier, as we know that one day, Toby Jones will be playing a talking computer – the immortal Herr Zola. Brain in a 1970’s computer. Hydra. This was a huge teaser for what I can only assume is a season 2 which will have much more to do with the rest of the MCU!

Did it matter that it was a female lead?

And finally, the final thoughts on the lead, Agent Peggy Carter. Hayley Atwell has been amazing. She is playing the character who was the equal of Captain America, while also reminding us just how hard a thing that is to be. But in this episode, she gets to be the grieving, vulnerable person just a bit. But in a good way. She gets closure. I think from here, she’s ready to move on, confident, with a purpose, and not giving a damn what the men around her think. I really hope there’s a season 2, because she is a storm that can’t be stopped.

As of this writing, I see no confirmation on a Season 2 yet, but I really see no reason why this is not going to exist! I would say: count on it.

Thank you for reading my series review of Agent Carter! It’s been a fun show to follow. For a different perspective on the show, my wife Holly wrote a review on my main blog, Comparative Geeks. You can find me there after this, geeking out on any number of things!

Agent Carter Episode Review: The Iron Ceiling, Season 1 Episode 5

You know, I’m not quite sure what they meant by “The Iron Ceiling.” After my discussion last week about Ceilings, I was of course thinking of that… but that’s not really it. There’s also the “Iron Curtain” between the East and the West in the Cold War, and that might be closer to it. This week had us heading to Russia, and drawing a connection between the enigmatic villain group, Leviathan, and the Russians.

Found on http://www.themarysue.com/agent-carter-recap-s1-ep5/ with their episode review!

A young Dottie, her secrets revealed.
Found on The Mary Sue with their episode review!

Indeed, we get to see Dottie’s training here, see her Russian Black-Widow-esque assassin training, learning charm, English, and kick-assery. Not much else with her this episode, except that she snuck in to Peggy’s room – out-spying her – and finds her files of information on the case. However, Peggy Carter is a woman of many secrets! The one we’re most concerned about from last week, the vial of Captain America’s blood, went unfound. Dottie found a secret cubby, and must have assumed she’d found all of the goods. She would be mistaken.

The bulk of the episode had Peggy re-connecting with her life in the SSR, a trip to Eastern Europe, and the legendary Howling Commandos! So on to that!

Peggy Carter: On the Case!

Peggy has kind of been a non-entity around the SSR since the show started. We’ve had scenes of her being shut out of the investigation, or from any real work, by the men. Indeed, we have seen an actual episode where her actual duty was the lunch order. She has also played into this, finding ways to get more time off and out of the office to work on the case where she is actually expected to achieve: working for Howard Stark.

But last episode, that relationship got strained. Thus following from that, Peggy throws herself back into her work. And no better time for that than when a mission is headed to Russia, where she apparently speaks the language – and has been there before, more than the others. She was quite busy during the war!

Agents Carter and Thompson, on the case! Found on http://screencrush.com/agent-carter-the-iron-ceiling-photo-gallery-howling-commandos/

Agents Carter and Thompson, on the case!
Found on ScreenCrush

The captain doesn’t want to send her. As he argues it, if he sends her and she dies, then he’s the idiot who sent a woman out in the field to get killed. If he sends her and someone else dies, then he’s the idiot who sent a woman to defend a man (or some such nonsense). Sure, there’s the chance that the mission is easy and goes off without a hitch, but they’re not expecting that – and rightfully so, as it turns out.

Because infiltrating the East was not an easy prospect, sneaking in, trying to elude the bad guys, and they’re not even expecting young assassin girls to kick their asses. They don’t even have a good way into Russia – it’s not like they have the 107th, the Howling Commandos… oh wait…

Peggy stepping out, making a call, and coming back with a confirmed meeting time and place for the Howling Commandos was awesome. It fills the internal need for her to show her value; fills a show-level need to include the Howling Commandos; and fills an audience desire to see them on-screen once more! When the captain asks for them, it’s like everyone is asking for them. And Peggy delivers.

The Howling Commandos

These are the team that worked with Captain America in the war. They’re from the comics, they’re from Captain America: The First Avenger, they even were teased in the Agent Carter Marvel One-Shot. We knew they were coming, but not when or how. And it’s exciting! We know, for instance, that one of the guys in Agents of SHIELD is a descendent. We know only Bucky died while serving with them (and he didn’t, so they’re just that much more undefeated) and were pretty great. Captain America is great, but he’s a shield, a defender, a leader. He needs a team.

The Howling Commandos from Captain America: The First Avenger. Sorry, Bucky... Found on http://marvel-movies.wikia.com/wiki/Howling_Commandos

The Howling Commandos from Captain America: The First Avenger. Sorry, Bucky…
Found on Wikia

So these are the good guys, the best guys, and so they get to be a strong counterpoint to the SSR guys around Peggy who have treated her like a secretary. With them, they know her, trust her, and respect her. She’s pretty much one of them, but more in a leadership capacity. When someone points out that the Howling Commandos served with Captain America, they point out that Peggy Carter served with him longer.

This episode gave us a lot about Agent Thompson, whose name I finally caught, and who had been left in charge last week. This week he’s leading the mission in Europe, and he also did not want Peggy to come along. Then there’s an awkward scene where there’s only one locker room – expressly a men’s locker room – and Peggy ends up going in to change into her action gear anyway. So Thompson sends Sousa over, for a very awkward moment. Thanks, jerk. But wait, plot point! Sousa sees Peggy’s distinguishing mark, a gunshot wound, and realizes she is indeed the woman he has been chasing who has been working with Stark. We’ll have to see where that goes later!

Sorry, tangent! Okay, so Thompson is there, and he respects the Howling Commandos. But not Peggy. Except he gets to watch the Commandos respecting Peggy, looking up to her. They end up around the campfire one night, telling stories. Thompson is left out of this camaraderie, until Peggy turns to him and asks him for a story. For a specific story, about how he got his Navy Cross. Showing she knows this about him, showing she respects it. And he tells the story, and he is accepted. She shows him respect, even when he doesn’t show her respect – and this seems to finally balance some scales. Later, Peggy also shows him deference when he offers his plan – and he stops and asks what she would do, which she then offers, and he decides to go with that.

Eventually, later in the episode, Thompson spills to her that his medal is a lie, that the people he saw and killed were not soldiers sneaking in, but people coming to surrender. A story he hasn’t told anyone. Opening up to Peggy shows he’s come a long way in his estimation of her. And as Holly put it, we’ve found out that Thompson has a soul.

Found on http://marvel.com/images/gallery/gallery/333/agent_carter_confidential_exclusive_images_from_the_iron_ceiling#0-992011

Found on Marvel.com

Oh, and in-between? In the words of The Boondock Saints, “There was a firefight!!!” Lots of action, a little Black-Widow trained Russian girl kicks their butts, everyone has to save everyone, and some characters die – including a surprising number of Howling Commandos. That made it feel like this would be their one appearance on the show, because you just can’t keep killing them off at that rate…

Questions

Did it feel “comic book?”

Certainly, this is possible. The Howling Commandos have a history in the comics, though they are not actually from the World War II era – they just show up in stories about the WWII era. And like many moments, the training of the Russian girls felt more spy movie to me than comic book – it felt like something you might see in a grittier Bond movie, like a Daniel Craig one.

Found on http://en.wikipedia.org/wiki/Sgt._Fury_and_his_Howling_Commandos along with the history!

Found on Wikipedia along with the history!

Did it feel like you needed to have watched the other movies and shows?

This maybe more than feeling the comic book connection. Seeing The First Avenger, in particular, seems fitting. Holly and I re-watched that this last weekend after this episode of Agent Carter, and while we get to see them a lot and they’re awesome, we don’t see them that much… honestly, there’s a lot more of Agent Carter. The Howling Commandos, more than anything, get an action montage. A pretty good one, but it’s not like they have half the movie for screen time.

They come on to the show as this storied, legendary soldier force. Which really is most of what you get about them in the movie. So while if you only watched the show you might feel like you’re missing something, it’s not much. This is, in fact, the reason why it’s so exciting to have them on the show: we haven’t seen enough of them yet!

Did it matter that it was a female lead?

Yes it did. First, back with the SSR, where she finally returns to her starting point: arguing with them about the fact that she is a valuable agent. She lost this thread for a while because rather than arguing, she was off secretly proving it. And then, with Thompson as the audience for it, it mattered that she was a woman being respected by the Howling Commandos. They were totally ready to take her lead, all the way. Indeed, this led to some great quotes I jotted down, so I can end with those:

“You sounded like Captain America there.”

“That’s no bad thing.”

 

“You used to be fun.”

(Pause)

“I miss him too.”

 

“[If Captain America were here] he would say do as Peggy says.”

 

“Not bad for a girl.”

(A glare, and a smirk)

“I hate you all.”

Agents of SHIELD now that we’ve seen Agent Carter

Agent Carter took a week off last week, and I’m assuming it was for the State of the Union address. Since Agent Carter is running as a mid-season show for Agents of SHIELD, I thought I would take a mid-season break from the one show to talk about the other in relation to the former… well, whatever, they make sense to compare to one another, right?

There are lots of comparisons that came to mind about the content of the show in the early days, or even before Agent Carter aired. Different eras, relationships to movies, these sorts of things – and I blogged some of my thoughts on that early on. Now that there’s been a few episodes of Agent Carter, the differences seem really stark (pun intended?). So let me look at a few features that I think really stand out between the two, now that they are both officially on the air and part of the Marvel Cinematic Universe!

The Ensemble versus the Protagonist

It’s inherent in the name, I suppose, but Agents of SHIELD is not the story of one person, with no central hero. Sure, the original and ongoing draw to the show is Agent Phil Coulson, brought back from the dead to give us a known leader and a mystery plot – namely, how is he back from the dead?

But he is by no means the only character on the show, just the only known character. Around him he collected a group of agents, who fly the plane, fight the battles, solve the mysteries, hack the computers, solve the genomes (Gene’O’s?), and build the tech. It was not a small team, and they took a lot of time – as they probably needed to – introducing us to all of these agents (and new ones, over time). While Phil Coulson was ever-present, so were the rest of the team.

Agent Carter is much different from that. Sure, she’s not the only character running around, but she is the one we are focusing on. Her partner is not even a fellow agent, but a butler. And there are characters we are getting to know more about – especially Jarvis in the third episode – but not all of them.

For instance, she has some friends she has made outside of work, women who have also been neighbors or roommates. Well, one is dead and the others we might suspect of having nefarious intentions for their friendship – who can we trust? There are also her fellow SSR agents, but they exist to be contrasted with Peggy Carter, to be cliches and stereotypes and not all to be fleshed out and explored.

Sure, part of that is the 8-episode nature of the season: you can’t do it all in that time. But we have solid evidence that we aren’t going to get to know them all, as one of the agents was assassinated at the end of the third episode. That’s a number of friendlies killed in just three episodes – it’s a risky business being in that show! All we know is Agent Carter and Jarvis make it out at the end, everyone else is at risk!

The Marvel Cinematic Universe

Beyond Agent Coulson, the real draw for Agents of SHIELD is its connection to the larger Marvel Cinematic Universe. These got better over time. There was a ho-hum episode after Thor: The Dark World was out in theaters, with a vague connection to Asgard. Then there was a far better episode with the Lady Sif, and the Asgardian Lorelei. I think this sort of cameo was the sort of thing audiences may have been expecting or wanting more of in the show, and this episode at least showed that it could be done, and done well!

Then the ball dropped with Captain America: The Winter Soldier. The SHIELD focus in the movie bled into the show, and the last few episodes of the first season, airing after the movie started playing in theaters, were really incredible, giving a payoff for a lot of the ensemble-cast character development that they had spent so much time on. I think by the end pretty much all of the cast got to be heroes and found their way into our hearts – or at least, more than they had been before.

Season 2 has more seriously delved into the mystery of the Once and Future Phil Coulson, his death and return. After Guardians of the Galaxy, audiences at least knew more about the aliens of the Marvel Cinematic Universe – even if the characters don’t know. So when it starts to turn out that maybe all these mysteries are alien in nature – and we might know who these aliens are and what they might be like! – it got pretty good. The mid-season break ended in some jaw-dropping turns of events, the implications of which have us wondering just how much this will all be a set-up for some of the upcoming Marvel movies – especially The Inhumans, who may need the most setup.

But here’s the thing: with all of that, I think it’s safe to say that Agents of SHIELD is best in the way that it relates to the larger universe. The events of the mid-season-2-finale were great and all, but the implications were better. The minutes of my wife Holly and I theorizing and guessing after the episode was done were a lot of fun, and worth keeping up with the show – but you can’t really say the show and its contents alone were what made us enjoy it so much.

Okay, that’s a lot about Agents of SHIELD. So let me keep my comment on Agent Carter here brief: it hasn’t been like that at all. The connections to the wider Marvel Cinematic Universe have largely just been in the characters who come from it: Peggy Carter, Howard Stark, and Jarvis – known before just as a name and an A.I. named after him. There have been a lot of references to Captain America, largely just in the fact that Peggy and he were almost an item and now he’s gone. And that’s it – so the show is having to stand on its own, and not lean on the films for interest and intrigue.

So What Makes Good Television?

Oh man, what am I doing asking a big question like that? Well, I guess I mean that it is a show you can watch, and it’s good, and it entertains you. In and of itself. There are plenty of shows that people hang on to and watch for a variety of reasons – hoping it gets good again, wanting to know the answer to its mysteries, for love of an actor or actress or cast. If I were to try to define “good television” it would be something where it doesn’t have to rely on you “hanging on” – you just watch it and it’s good and stays there.

I think Agents of SHIELD has created a whole new category of reasons to hang on, because it really is an experiment in shared universe, between movies and film. Sure, there are shows based on movies, but generally as a re-telling – shows like Bates Motel or Fargo come to mind as recent examples. Sure, there are movies based on shows, both as re-tellings and often as end-notes, conclusions to the story or continuation. Star Trek movies seem like the best example of this. But Agents of SHIELD was a show set in the universe of the movies, not a re-telling, but a real-time continuation to keep you hyped and excited between movies.

As such, though, it does not stand on its own as “good television.” You can’t just pick up and watch an episode (or a season) of Agents of SHIELD and watch it and be like “hey that was all pretty great.” I don’t think that was ever going to be possible, but it’s an entirely new thing and as a fan, I am happy it exists and have enjoyed it thoroughly. It’s had rough patches and seemingly filler-episodes, but so have shows like Battlestar Galactica, which I followed all the way through its run.

By following an entirely different formula with Agent Carter, they have escaped that same new type of show that Agents of SHIELD belongs to. It’s a show following a movie (Captain America), but beyond that, it’s just a good, period-piece mystery show. It’s just good television. Not into comics? Not a problem, you can still get into Agent Carter. Okay, if you don’t like mystery shows or spy stuff like James Bond, maybe you won’t like Agent Carter. But no show is for everyone, right?

It’s a great mystery show so far, and if you haven’t been watching, there’s only 3 episodes to catch up on right now – out of only 8 this season! Not a lot to catch up on, so give it a chance! I’ll be back next Tuesday with my review of episode 4 – The Blitzkrieg Button!