Penny Dreadful: Evil Spirits in Heavenly Places Review (S2 E4)

And we’re back to talk about episode 4 of Penny Dreadful season 2; my apologies for the tardiness, but I quite literally forgot that yesterday was Monday. Whoops!

After the singular fixation of last week’s “Nightcomers,” with Vanessa’s past, we returned this week to the characters’ present as they try to decipher the Verbis Diablo and ferret out what the witches are up to. Ah yes, and there’s a bit of fun, too, something the show could use a bit more of. (Spoilers are lurking below—beware!)

We open with Vanessa telling the group about the nightcomers and about the Cut-Wife, relating the story that she told Ethan last week. And about time, too. Vanessa is one of my

Eva Green as Vanessa Ives, Josh Hartnett as Ethan Chandler, Harry Treadaway as Dr. Victor Frankenstein, Danny Sapani as Sembene, Simon Russell Beale as Ferdinand Lyle and Timothy Dalton as Sir Malcolm in Penny Dreadful (season 2, episode 4). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_204_1313

favorite characters, but she has a penchant for withholding information that could be both deadly and damning, information the other characters Actually Need to Know. Frankenstein, in typical scientist fashion, dismisses what she’s saying on the basis that there’s no such thing as witches. Umm, Doctor? You’ve now brought 2 people back to life and seen vampires—why’s this a stretch?

Anyway, Vanessa ends up accompanying Victor to a dress shop the next day, where he explains that he needs to buy a dress for his second cousin (emphasis on second part) who is visiting from the country. He admires Vanessa’s style, runs into a mannequin, and gets flustered when the clerk suggests that he and Vanessa are together. He blushes as Vanessa jokes about underwear and cleavage. The scene is a lovely, awkward moment underwearfor two characters who rarely get to laugh.

Back at his house, Victor has Lily try on the things he’s bought for her. And she really doesn’t like them. Or, at least, she doesn’t like how they feel. The corset is tight, the shoes uncomfortable, and Lily’s realizing that the garb she’s wearing is “for men, isn’t it.” Frankenstein agrees that she can lose the corset, but she keeps the shoes.

Meanwhile, the Creature/Caliban/John Clare is working in the basement of the wax museum. He talks with Lavinia, the owners’ daughter, who helps sculpt the wax figures. There’s a nice moment when she talks about the suffering she must inflict on some of the figures, the horrifying moments she must put them into. For our Creature, this is just the kind of thing he understands.

The Putneys are also planning something else for their wax museum—something to do with “flesh and blood freaks.” Oh hell. Why do I feel like this means our Creature? Is this what Putney meant when he said “hush woman, that face will make us our fortune?” Dman.

And we finally see Dorian again. He’s with Angelique, and they go to a bizarre club full champagneof ping pong tables and champagne. And she’s a firecracker. Unconcerned about the stares she brings, and she’s more than a match for Dorian—that’s the genius of having them play a dozen rounds of ping pong, Dorian losing every match.

And speaking of losing matches—Hecate decides to try and woo Ethan by setting a trap for him. She spooks a horse and then runs in front of the carriage it’s pulling, and Ethan must save her. They go and have tea, but she’s just not convincing enough. Lobsters live in fields, apparently, and stiletto boots are sensible shoes. Ethan is of course not convinced, but he believes she’s been employed by his father to bring him home. And across town, Inspector Rusk is still looking into the Mariner’s Inn Massacre—and he suspects magic.hecate

And at the Murray home, Lyle is still working on translating the Verbis Diablo. The artifacts that the text is written upon must be sequences: the demon spoke in various languages, telling the story of being cast from heaven. There’s some discussion over whether Vanessa’s future is told in the relics, but she’ll have none of it. She goes to her room—and we see that everyone is being watched by the witches, who are hiding in the wallpaper. *shudder* They attack, managing to steal a lock of Vanessa’s hair before she breaks in the Verbis Diablo and expels them from the house.

Next week, it looks like we’ll see more about Putney’s plans and, of course, more of those nightcomers.

Social Media Sunday: On The Scheduling Madness

Just hammering out an update on the scheduling madness. If you you got a link in for the blog party before I left the comment saying I was visiting and did not receive a comment from me, let me know. Seriously I did my best to visit them all, but I was in the zone and might have made a random oversight, and I am trying to get better at this thing. I’ve scheduled Tweets of all the links to go out between now and Wednesday and tagged authors if I could find Twitter accounts for them.

Just looking at what I got this week from Twitter. Twelve scheduled tweets a day isn’t worth the work that goes into maintaining that pace, until I get a lot better at composing Tweets, so I’ve easing off.

The new schedule:TwitterSuzie

  • Monday-Friday: Four afternoon tweets at two hour intervals between 1 pm and 7 pm Eastern.
  • Saturdays: Six tweets beginning at 10 am Eastern and ending around 7 pm.
  • Sundays: Six tweets beginning at 5 am Eastern and ending around 7 pm.
  • Sometimes, the links come to this blog. Sometimes they go to everyone else. Boom or bust.

With the number of tweets I still have piled up, I should be able to maintain this schedule indefinitely. I’ve got @Sourcererblog scheduled through Friday, June 5 as of this minute. It’s a mixture of links, photos, videos, shoutouts, and random stuff like Twitter-wanking and quotes from the TV Tropes Evil Overlord List.

Something I am finding: referrals go up when you get on Twitter and engage with people. We’ve done better here this week for Twitter referrals than we’ve done in a while, but not so much better for me to justify managing an around-the clock queue, and the referrals are really only up during the times I’ve actually been active on Twitter.

I’ve got my unfollowers cleaned up and am planning to delete my lists and revamp the Tweetdeck setup so I’m tweeting entirely from mentions, notifications, and hashtags soon. I know a prodigious number of good hashtags at this point, and nearly everyone who’s really interacting with me on Twitter has at least one they use often, so I can probably just keep up with most of you that way and with a couple of private lists I have for close friends and contributors.

This is an ongoing process, so will take a while, but eventually I’ll have a lighter schedule for @justgeneo and it will be for tweeting #weekendcoffeeshare, #1000Speak, and #atozchallenge links to various other hashtags.

Have a great week!

The Vanier Report: Tales From A DC Pull List (Convergence: Wonder Woman #2 Review)

Since we have a Geek and Greet thread featured at the top of the page, a #WeekendCoffeeShare running at Part Time Monster, a #1000Speak linkup less than a week old, and an #AtoZChallenge Road Trip under way, I’m gonna do everyone a big ol’ favor and not publish a bunch of words here today. Go find some blogs to read. I suggest starting with The Speech Bubble 😉

The Speech Bubble

The Vanier Report: Week 18

Convergence Wonder Woman 2 largeConvergence: Wonder Woman #2
Written by: Larry Hama
Pencils by: Aaron Lopresti
Inks by: Matt Banning
Colours by: Tanya & Richard Horie
Letters by: Tom Napolitano

“Nothing except a battle lost can be half so melancholy as a battle won.”

The famous words of the Duke of Wellington echo loudly through Larry Hama’s concluding chapter of Convergence: Wonder Woman, even going so far as to paraphrase the quote at the story’s conclusion.

As Wonder Woman and the vampire Joker square off, Steve Trevor has to fight off a horde of newly turned vampires, as well as Red Rain’s Poison Ivy and Catwoman. The fights are gruesome and bloody, with Steve unloading magazine after magazine into the heads and bodies of his undead attackers while Wonder Woman is forced to unleash her most violent and aggressive self – breaking and smashing the bones and bodies of the vampires beyond their…

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