Doctor Who Review: Series 8 Episode 9, “Flatline”

by William Hohmeister

I think I’m ready to love again. Jamie Mathieson, will you marry the Doctor and become showrunner? You wrote my favorite episodes of Doctor Who series 8: “Mummy on the Orient Express” and this week’s episode, “Flatline.” I actually like Clara (Jenna Coleman) again! Longtime readers know I generally see no good in Clara’s character. She’s used so… generically, like a stand-in for a real Companion. “Mummy on the Orient Express” kept her out of view, but “Flatline” gives her a chance to act in a uniquely Clara way.

The Doctor (Peter Capaldi) tries to drop Clara off after their latest adventure, but lands in Bristol. As he tries to deduce a solution to the problem, Clara points out something more worrying: the TARDIS’ door has shrunk. The Doctor and Clara squeeze through and find a shrunken TARDIS outside.

tardis_flatline“Flatline” introduces cool ideas about dimensions of space that I think the writer stole from Flatland. The interior of the TARDIS is infinite; the exterior is the size of a police box. As Whovians know, this leads to many humans gushing “It’s bigger on the inside.” The Doctor guesses that something is leeching power from the Tardis, causing it to shrink. He goes back inside, while Clara explores.

Clara meets Rigsy (Joivan Wade) and Fenton (Christopher Fairbanks) cleaning up Rigsy’s graffiti. Rigsy tells her of missing people, and shows her a mural that depicts each person from behind. She asks for his help, and goes back to get the Doctor.

Here’s where the show took a turn it really needed: the TARDIS has shrunk to the size of a paperweight and the Doctor is trapped inside. Clara picks it up, and we find out something really cool: the Doctor can adjust the TARDIS ’ weight. Since the Tardis is infinite, it would also be infinitely heavy if not for the weight adjustment. Usually it weighs as much as a police box, but now Clara can pick it up and stow it in her purse. It’s a great piece of world-building that I really liked.

Why is the TARDIS ’ size so important? The Doctor, just able to fit his hand throughclara_flatline the door, passes Clara his tools: sonic screwdriver, psychic paper, and an ear piece so he can communicate. Clara picks up Rigsy to investigate the homes of the vanished people, and introduces herself as: “The Doctor. Doctor Oswald.”

The episode unfolds as you expect from here: investigation, discovery, running, enlightenment, running, taking control of the situation, running, and a final plan. Clara drives each of these moments instead of the Doctor, however. The Doctor provides exposition, but he does not play a crucial role until the end. And the Doctor himself has admitted that sometimes he just talks until he hears a solution he likes, making him sort of an exposition-machine even to himself.

Clara plays the Doctor’s role in a way I think is unique to her. We’ve seen other Companions – Rose and Donna come to mind – play at being the Doctor. Rose was terrified (“The Christmas Invasion”) and Donna nearly died (“Journey’s End”).

Clara is a human Doctor, and she’s very efficient at it. She tells Rigsy the truth – or at least part of it – and when he tries to leave Clara shows him the Doctor and the Tardis. While investigating one home she pretends to be MI-5 to get PC Forrest’s (Jessica Hayles) help. The Doctor decides the vanished people must be in the walls of the house; in a moment worthy of the Looney Tunes, he passes Clara a sledgehammer through her purse. Clara explains simply: “Apparently they’re in the walls.”

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