Weekend Music, With Thanks!

Video

🙂

I may be back in business. You might have noticed I published a Top Ten Tuesday and a Banned Book post this week, plus a Feminist Friday at Part Time Monster today.  I’ll have a coffee post at Just Gene’O tomorrow for sure, and I have an idea for a Sunday social media post which shouldn’t take long to write. It looks like I’ll even have time to pin and tweet tomorrow afternoon. We’ll also have a Doctor Who review from Will here tomorrow and one from me at the Monster next week.

Thanks to everyone for sticking with me through the rough patch. And thanks, especially, to Will and to David  for keeping Sourcerer in posts for the last few weeks. You guys have my undying gratitude.

Unless something entirely unforseen happens, I should be back to answering comments this weekend, and the photoblogging should start back up in earnest next week. Once that’s done, it’ll be time to wake up my @justgeneo Twitter account, build some new webpages for our “Collected Works” archive,  and think about what to do with my Tumblr page, which has been dark and silent long enough now to be ready for the reboot.

Peace and love to all!

Thursday Thirteen: Banned and Challenged Classics

In case you haven’t heard, it’s Banned Books Week. Since I’m a fan of books and I love intellectual freedom, I feel as though it would be a sin to let the week pass without a banned books post. As I mentioned earlier today, Hannah Givens is hosting a week-long banned books blog party at Things Matter. I’m not sure whether or not I’ll get a post out for the blog party, so I’ve borrowed an idea (and a graphic) from Diana. Here’s a Thursday Thirteen from the ALA’s Frequently Challenged Classics list.

All the books here have influenced me as a writer and thinker. I read them all before I turned 21, thanks to a mother and a high school English teacher who share my love of reading and freedom of thought, and thanks to a public library that was way better than any town of 5,000 has a right to expect. They are posted in the approximate order I read them.

1. The Lord of the Rings by J.R.R. Tolkien

My mother read this book aloud to me when I was in elementary school. She read The Hobbit to me when I was in first grade, and I begged her to read LOTR for two years until she finally did. I read it on my own for the first time when I was 11. If I write a post for Hannah’s blog party, this is the book I’ll focus on.

2. The Lord of the Flies by William Golding

Checked out from the library when I was 11 or 12; perhaps for my last year of the Summer Reading Program. It frightened me more than any horror story ever frightened me and forced me to look at the locker room antics and high school hazing with new eyes. I still find it disturbing. The film adaptation doesn’t do it justice.pins

3. A Separate Peace by John Knowles

I barely remember reading this one, but I know I did, because I remember the story and the cover of the battered old paperback. I also remember that it made such an impression I didn’t pick up another book for a while after I finished it.

4. 1984 by George Orwell

Picked up from the library when I was in the tenth grade because I’d read Animal Farm for school and I wanted more Orwell. I’ve since read most of his essays and Homage to Catalonia, his memoir of the Spanish Civil War. He’s my favorite early-20th Century thinker.

5. For Whom the Bell Tolls by Ernest Hemingway

I went through a Hemingway phase when I was 15 or 16, and this is the second or third Hemingway novel I read. It’s on my list of top 15 20th Century novels, and the chapter where one of the characters is reminiscing about bull-baiting in his village before the war stands out to me as one of the best single chapters in all of American literature.

6. The Great Gatsby by F. Scott Fitzgerald

Required reading during my senior year  in high school. It’s probably why I’m fascinated with the 1920s to this day, and why I’m such a sucker for tragic romance.

7. The Satanic Verses by Salman Rushdie

I checked this one out of the library when I was a senior in high school just to see what all the fuss was about. I didn’t really get it then, but I do now. If I made a list of “novels everyone should read,” this one would be on it.

bbweek8. Brave New World by Aldous Huxley

This was an assigned book for my honors freshman composition course. I wrote an essay on Huxley’s use of the “noble savage” trope, and I was still immature enough to be titillated by the way he uses the word “pneumatic.”

9. The Grapes of Wrath by John Steinbeck

I read this one during my freshman year of college, and if  you’re wondering why anyone would want to ban this book, this quote will give you an idea:

“Fear the time when the bombs stop falling while the bombers live – for every bomb is proof that the spirit has not died…And this you can know – fear the time when Manself will not suffer and die for a concept, for this one quality is the foundation of Manself, and this one quality is man, distinctive in the universe.”

10. A Clockwork Orange by Anthony Burgess

I find it as disturbing as The Lord of the Flies, but in a different way. I read it during my freshman year of college just for fun and ended up writing an essay about it.

11. To Kill a Mockingbird by Harper Lee

I read the book because I saw the Gregory Peck movie and liked it so much I wanted the reading experience. It’s a real shame that anyone even considered banning this book. That says not-so-nice things about American culture at the time it was published.

12. Slaughterhouse-Five by Kurt Vonnegut

One of a dozen novels I read for Survey of the 20th Century American Novel in college. I also read Gatsby for the third time for that course, and got my first introductions to Nathaniel West, Carson McCullers, and Emile Zola. Slaughterhouse-Five is likely the novel that convinced me genre fiction can be serious, because whatever else it is, it’s also science fiction.

13. One Flew Over the Cuckoo’s Nest by Ken Kesey

I picked this one up when I was 19 or 20 on the recommendation of a friend. It’s a strange and rewarding read. I don’t know what else to say about it.

I had  no idea what I was going to come up with when I started this list, but I like it. It tells me quite a bit about myself. It’s no wonder I’m suspicious of authority and believe in universal human rights. No wonder at all.

Banned Books Blog Party!

I’m a little late with this, and I’m not sure I’ll be able to get a post out in time to join the party myself. If you’re planning to write a banned books post before the end of the week, you should check this out and think about participating. 🙂

Hannah Reads Books

Banned Books Week is a yearly event celebrating the freedom to read and protesting censorship or attempts to ban books. I love holidays. The simple fact that they’re holidays are good enough for me, but I also love celebrating them. In honor of this esteemed and book-related holiday, and with some good feedback from y’all, I’ve decided to host a Banned Books Week Blog Party!

The “rules” are simple:

  • Choose a book from the ALA lists of banned books, or one that’s been banned/challenged in your area.
  • Share a little about the book and why it’s important to you at your online space.
  • Tag/ping/message other people to do posts of their own.
  • Link back to this post, and leave your link in the comments, so we can all read each others’ responses!

Do this for as many books as you want! Banned Books Week runs September 21-27. I’ll be…

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How to Make a Comic Book Movie – Part 3

For the last couple of weeks, I have been exploring some general rules that, for the most part, comic book movies follow – especially superhero movies. In part 1, there was a focus on the origin story, which seems to be a constantly recurring element of superhero movies. In part 2, there was more of a focus on the sequels and franchise that comic movies tend to always have in mind. Here are my six general rules:

  1. Start at the Beginning – they always seem to go back to an origin story, and when they don’t (Superman Returns), it doesn’t always go very well.
  2. Pick a good Origin Story – while origin stories are a huge percentage of comics movies, they’re a much smaller subset of the comics themselves. However, they’re often told a few times in different ways – picking a good one is key!
  3. Pick a Writer and Stick With Them – a lot of people have had their hand at writing about these characters, with DC and Marvel spanning back decades. You can’t adapt all of it in a handful of movies – so generally, they pick one writer and go with their interpretation and storylines.
  4. Aim for Sequels (or a Franchise) – comic movies are like potato chips – hard to have just one. For studios, this makes sense – you make these movies to make a lot of them, and thus a lot of money. For fans, this makes sense – there are so many stories to be told, you can just keep going!
  5. Pick Multiple Villains – it rarely fails: if it’s not an origin story, then you’re probably going to see several named villains, often a distraction or a red herring in the bunch.
  6. Be Willing to Make Changes – sometimes good, sometimes bad, but changes are inevitable with these adaptations. Especially, the longer the series, the more that choices have to be made to keep with movie continuity, rather than comics continuity.
One of the 25 covers from Empire 25 for X-Men: Days of Future Past! I used this on http://comparativegeeks.wordpress.com/2014/05/19/the-hype-machine-x-men-days-of-future-past/

One of the 25 covers from Empire 25 for X-Men: Days of Future Past! I used this on http://comparativegeeks.wordpress.com/2014/05/19/the-hype-machine-x-men-days-of-future-past/

You don’t necessarily see all of these rules in one movie – can’t, really, as some deal with the very fact that there’s more than one! However, the more you can look at, the more apparent these rules become. Not convinced? Then allow me to explore a case study: the X-Men franchise. Now at 7 movies spanning decades of history, this series has more movies slated and even more in the talks: titles like DeadpoolGambitX-Force, and the sequel X-Men: Apocalypse.

While a rule like “aim for a franchise” might seem obvious here, are the rest? How do they hold up? Read on, and then let me know what you think in the comments below!

The Proof is in the Pudding: The X-Men

But wait, you say, the first X-Men didn’t include an origin story of the X-Men. It wasn’t necessarily based on a specific comic, although maybe the aesthetic of Ultimate X-Men at least is a part… except that comic came after the movie!

However, in large part, these comics all owe a lot to the work of Chris Claremont, and his run of X-Men comics in the 80’s. Because these comics first gave us Kitty Pryde, whose origin story has become a staple of the X-Men.

Cover from Uncanny X-Men #139… 2 issues before Days of Future Past. I used this on http://comparativegeeks.wordpress.com/2014/06/06/kitty-pryde-in-x-men-days-of-future-past/

Cover from Uncanny X-Men #139… 2 issues before Days of Future Past.
I used this on http://comparativegeeks.wordpress.com/2014/06/06/kitty-pryde-in-x-men-days-of-future-past/

No, really. They just used this design on a comic released last week: http://marvel.com/comics/issue/48535/all-new_x-men_2012_32

It’s hard to introduce a new character in comics, it is. And to get new fans buying in, to give them their own life. It happened with Kitty Pryde. She joins the team, and then almost immediately after, we are shown a dystopian future: with Kitty Pryde still alive. She’s powerful and skilled enough to survive the genocide of the mutants. Then she comes back in time and saves them. It’s just a little two-comic story called Days of Future Past.

However, this idea – of introducing the young, female mutant to the team, to introduce the character, to bring in a new audience, to re-introduce the X-Men and do a mini-origin story – they’ve done it a number of times, in different media.

Remember the 90’s X-Men animated series? That opened with Jubilee, the new young female mutant, introduced to the X-Men and who they are and what they do. They fight the Sentinels, deal with the mutant rights issue, and you spawn a TV show. Or there’s the amazing video game, X-Men Legends. This game opens with the new mutant Magma, a young girl who is recruited to the X-Men, trains, and joins the team. She’s who you play in-between missions, back at the X-Mansion.

So then, there’s the first X-Men movie. There’s our young Rogue, origin-story in tow, joining the X-Men, getting caught up in the rights issue, coming under Wolverine’s wing. Oh, because that seems to generally be part of it too: they end up as Wolverine’s sidekick. In all of these cases. Continue reading